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A+ Library Review: "Every Heart a Doorway" by Seanan McGuire
The reviews continue! Although this may be the last one for a while; I recently added about thirty new books to my TBR thanks to a library rec list, so I'll have to dig through some of those. However, I will say that so far, this has been my favorite of my ace/aro book list.
Previous review: The Bruising of Qilwa
The description of this book is:
Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere... else.
But magical lands have little need for used-up miracle children.
Nancy tumbled once, but now she’s back. The things she’s experienced... they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world.
But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter.
No matter the cost.
The character: Nancy Whitman, asexual
Verdict: Thumbs up!
The Asexual Rep
This one falls somewhere between Loveless, which is all about the protag's identity, and The Bruising of Qilwa, which hardly touches on it at all. Protagonist Nancy is a self-declared asexual, something she states in such terms when her roommate nudges her about maybe wanting to have sex with a cute boy at the school. Obviously Nancy feels something for Kade, but she does privately think to herself as they grow closer that it might be complicated when her interest in physical intimacy doesn't go beyond kissing (however, she does have fun with a good flirt). However, romance is not a part of this book, and although Nancy might occasionally contemplate the idea that she has a crush on Kade, this story isn't about that.
Nancy, like many of the teens and young adults in this book, feels out of place in our world. That was what drew her to her fantasy realm (The Halls of the Dead) in the first place, and her time there only exacerbated the feeling when she did return to our world. I think this makes her, as a protagonist, particularly suited to an asexual story. As an asexual, I've often felt strange and out of place in a very sexual world, and I can understand, particularly as a teen or young adult, the allure of a world where you don't feel that way.
But within the school and among her peers, Nancy's asexuality is never what makes her odd.
The Rest
This book obviously hit a nostalgia chord for me, because surprise surprise! I loved books about young girls falling into fantasy worlds and having crazy adventures well beyond their maturity levels growing up. This book made me think of every one of those stories I read growing up (Hello Alice, and May Bird, and Lucy, and Alyss, and Milo, and all the rest) and it felt like such a love letter both to those stories and to the children who cherished them growing up. I remember being a kid who wanted so badly to have an adventure like that. So I found it completely understandable that all of the characters in this book are desperate to get back to their fantasy realms. The one thing that unites them more than any other is the understanding that any of them would give anything to go back.
Growing up, I was always a little disappointed when the isekai protag returned home, but it was the way those stories always ended. Coming up the front steps of the childhood home, at once familiar yet now grown distant, a light on in the bedroom lit by parents still awaiting the child's return, and a deep breath as the protagonist steps back into their old life, now armed with new knowledge and maturity. But as a kid, I never thought that much about what happened after that moment.
This book does a marvelous job of exploring that. What it means for kids who have been through this, what it's like trying to resume an old life, and most of all, what it's like when you weren't ready to leave your fantasy realm behind. Each child went somewhere different, so they all have different stories to tell, but they all refer to those places as "home."
I would have gladly read an entire book that focused exclusively on the emotional fallout of their return and the struggle to reintegrate into a world they had chosen to abandon, which made the turn halfway through the book to a mystery feel slightly jarring in terms of genre shift. Nevertheless, the heightened stakes do give our former fantasy child protags a chance to shine, by using the skills they picked up on their adventures and proving that actually, sometimes they're exactly the people you want in a pinch.
I enjoyed the prose a lot; it's poetic without being clunky and very vivid, particularly in emotional terms.
Every Heart is the first in a ten book series, but it's also self-contained, so if you finish this one and feel satisfied, there's no requirement to read the others. I do plan to go on with the others though, because I found this one so delightful.
Previous review: The Bruising of Qilwa
The description of this book is:
Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere... else.
But magical lands have little need for used-up miracle children.
Nancy tumbled once, but now she’s back. The things she’s experienced... they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world.
But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter.
No matter the cost.
The character: Nancy Whitman, asexual
Verdict: Thumbs up!
The Asexual Rep
This one falls somewhere between Loveless, which is all about the protag's identity, and The Bruising of Qilwa, which hardly touches on it at all. Protagonist Nancy is a self-declared asexual, something she states in such terms when her roommate nudges her about maybe wanting to have sex with a cute boy at the school. Obviously Nancy feels something for Kade, but she does privately think to herself as they grow closer that it might be complicated when her interest in physical intimacy doesn't go beyond kissing (however, she does have fun with a good flirt). However, romance is not a part of this book, and although Nancy might occasionally contemplate the idea that she has a crush on Kade, this story isn't about that.
Nancy, like many of the teens and young adults in this book, feels out of place in our world. That was what drew her to her fantasy realm (The Halls of the Dead) in the first place, and her time there only exacerbated the feeling when she did return to our world. I think this makes her, as a protagonist, particularly suited to an asexual story. As an asexual, I've often felt strange and out of place in a very sexual world, and I can understand, particularly as a teen or young adult, the allure of a world where you don't feel that way.
But within the school and among her peers, Nancy's asexuality is never what makes her odd.
The Rest
This book obviously hit a nostalgia chord for me, because surprise surprise! I loved books about young girls falling into fantasy worlds and having crazy adventures well beyond their maturity levels growing up. This book made me think of every one of those stories I read growing up (Hello Alice, and May Bird, and Lucy, and Alyss, and Milo, and all the rest) and it felt like such a love letter both to those stories and to the children who cherished them growing up. I remember being a kid who wanted so badly to have an adventure like that. So I found it completely understandable that all of the characters in this book are desperate to get back to their fantasy realms. The one thing that unites them more than any other is the understanding that any of them would give anything to go back.
Growing up, I was always a little disappointed when the isekai protag returned home, but it was the way those stories always ended. Coming up the front steps of the childhood home, at once familiar yet now grown distant, a light on in the bedroom lit by parents still awaiting the child's return, and a deep breath as the protagonist steps back into their old life, now armed with new knowledge and maturity. But as a kid, I never thought that much about what happened after that moment.
This book does a marvelous job of exploring that. What it means for kids who have been through this, what it's like trying to resume an old life, and most of all, what it's like when you weren't ready to leave your fantasy realm behind. Each child went somewhere different, so they all have different stories to tell, but they all refer to those places as "home."
I would have gladly read an entire book that focused exclusively on the emotional fallout of their return and the struggle to reintegrate into a world they had chosen to abandon, which made the turn halfway through the book to a mystery feel slightly jarring in terms of genre shift. Nevertheless, the heightened stakes do give our former fantasy child protags a chance to shine, by using the skills they picked up on their adventures and proving that actually, sometimes they're exactly the people you want in a pinch.
I enjoyed the prose a lot; it's poetic without being clunky and very vivid, particularly in emotional terms.
Every Heart is the first in a ten book series, but it's also self-contained, so if you finish this one and feel satisfied, there's no requirement to read the others. I do plan to go on with the others though, because I found this one so delightful.