The second book I finished this weekend was Earthlings by Sakyaka Murata, translated from Japanese by Ginny Takemori. This book is about Natsuki, a girl who's always felt she doesn't quite belong with humans. This has been book #16 from the "Women in Translation" rec list.

I've struggled a lot with what to say about this book, or whether to say anything at all. First, as many other reviews note, the book description does not in any way prepare you for the trigger warnings that may apply, so if you have no-gos for reading, do have a look around for a list before you crack this one open. 

There are a lot of things you could take away from this book. The lifelong impact of childhood sexual abuse. The damage of a child having no safe adult to confide in. The pain of feeling alienated from society. The pain caused by strict social expectations that leave no room for individuals to pursue other modes of living. The danger that refusing to allow deviations from the "norm" will lead individuals incapable of conforming to that norm to reject society altogether. The idea that rejecting smaller social rules eventually leads to complete anarchy and amorality. The suffocating impact of the absence of privacy and the extremes to which it may drive people.

It is an exploration of the harm done, intentionally and unintentionally, to those who don't "fit" into the mold of society. How much of it is reality and how much of it is Natsuki's imagination is also up to the reader.

It's also a book about interrogating taboos, which leads to the trigger warning above. Natsuki's choice not to marry or have children is in and of itself, violating a taboo of her culture. Her feeling that violating this taboo does no harm to her or anyone else naturally leads to questioning other taboos, and you can't write a book about questioning taboos and then say "but not that taboo, that's too taboo!" so the book does go some dark places as Natsuki and her companions ask themselves if there's anything rational in refraining from theft, murder, and assault. 

The translation is well done, particularly in dealing with a number of sensitive subjects.

I'm not sure what I ultimately take away from Earthlings. Perhaps how much damage societal rejection has on a person's psyche and the harms that can spawn from that. We are, in the end, social creatures. Feeling from a young age that you don't belong is bound to have detrimental developmental impacts.

The George Foreman Lean Mean Fat Reducing Grilling Machine Cookbook
Paperback – January 1, 2000
by george-foreman-connie-merydith (Author)


Today we finished reading our second cookbook of the year. The front matter includes Acknowledgements, Preface, Introduction, and Smart Eating for Healthier Living. The recipe chapters are Bring Out the Best of Grilling -- Marinades, Sauces, and Rubs; A Cut Above -- Beef and Lamb; Smoky Sensations -- Pork Chops, Ribs, and Ham; Tender Choices from the Sea -- Fish and Shellfish; Savory Grilled Poultry -- Chicken and Turkey; Quick and Easy Favorites -- Burgers, Sandwiches, and Snacks; Tempting Companion Dishes -- Vegetables, Fruit, Salads, and Desserts. Then in the back are a basic cooking guide, glossary, and index. The index lists both recipe titles and ingredients.

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A Memory Called Empire left me in such a place that I of course had to rush after the sequel, A Desolation Called Peace by Arkady Martine. In the second book of this duology, we're tackling the bomb dropped at the end of the last book: that a hostile alien force has been picking at the borders of Teixcalaanli space.

This became a first contact story, which delighted me, because I love first contact stories. The book posits another interesting philosophical question to the readers. Darj Tarats wants Teixcalaan to go to war with these new aliens, because it would likely drag on for quite some time, sucking up Teixcalaan's resources and keeping them focused on something other than colonizing Lsel Station, and might even destroy them in the end. Mahit does not want Teixcalaan to go to war with these new aliens because it would be an unnecessary and vast loss of life on both sides, and because in spite of its nature as an empire, there's so much Mahit likes about Teixcalaan, even though peace allows Teixcalaan much more time and resources to potentially conquer Mahit's home.

Book 2 breaks into a mulit-POV style, which works very well I think for giving us a 3D view of the situation when first contact is made and what happens after. Emotions, naturally, are running very high on all sides, so getting to see many characters' thoughts is helpful to understanding this house of cards.

Martine does a great job I think of presenting us with aliens that are alien, but still people. The question is whether they and the Teixcalaanli can work that out before someone does something fearful.

She also does well with layering Mahit and Yskander here. There are a few conversations Mahit has that hit so much harder now that we have a full picture of Yskander and how long the ambassador to Teixcalaan has been kicked around the Lsel council like a football as they all pursue their own best course for keeping away from Teixcalaan. Knowing that that fragment of Yskander is there, seeing the fallout of his own death and how it came about makes these conversations especially powerful.

The story is laid out gradually and builds to a believable conclusion. The ending is slightly abrupt--there's not really any denouement--but it didn't shortchange the story. 

One of the perspectives we see in this book is imperial heir Eight Antidote, now 11. And he's either quite precocious, or Six Direction was a genius, which is possible. This kid's a regular Johnny-on-the-spot, but he is also a narrative tool representing a very different future for Teixcalaan than Emperor Nineteen Adze represents. He is Six Direction unencumbered by years of war and politicking; he is Six Direction without the grim, dog-eat-dog-world attitude of an adult raised by Empire. But he's also young and vulnerable; he represents a Teixcalaan that could be--but also one that could so easily be smothered in its crib, a fate Nineteen Adze is desperate to avoid.

Mahit and Three Seagrass continue to struggle, even more than in the last book, with the nature of their relationship. Three Seagrass is pure Teixcalaanli, and can frequently be insulting without meaning to, but Mahit is also primed by years of Teixcalaan's cultural chauvinism to see insult even where none was intended. I felt like they landed, by the end of the book, somewhere believable--although I would absolutely read more about them if Martine was offering!

I didn't notice this book having the issue with repetition that I found in book 1, so that was a nice improvement as well.

I was worried at the end of the last book how the story would handle this shocking, massive plot drop, but I think Martine did it very gracefully. It feels like a natural continuation of book 1 while still expanding the focus of the story. I would love to see more of this universe, but I'm also satisfied with where we've left things. There are no easy answers to what to do about Teixcalaan, but that doesn't feel unrealistic either. Well done all around!

I realized as I was approaching the end of this book that it is the third unfinished series sapphic SFF centering the machinations of an empire that I've read lately (the others being The Locked Tomb and The Masquerade). A Memory Called Empire is the first book in the Teixcalaan series by Arkady Martine (narrated by Amy Landon in the audiobook) and tells the story of Mahit Dzmare, a diplomat from an as-yet-unconquered satellite state of the Teixcalaanli Empire entering her role as ambassador for the first time--after the previous ambassador went radio silent. 

For fans of fantasy politics, I highly recommend this one. Mahit enters a political scene on the cusp of boiling over and is thrown not only into navigating a culture and society she's only ever read about, but having to piece together what her predecessor was doing, why he was doing it, and what happened to him. It's a whirlwind of not knowing who to trust, what to lean on, or where to go.

Martine creates such an interesting world here in Teixcalaan and the mindset of a people who pride themselves on being artists above all and yet exist as ruthless conquerors within their corner of space. Furthermore, Mahit herself is in a fascinating position as someone who's been half in love with this empire since childhood, and yet is all too keenly aware of the threat it poses to her and her home. Mahit does well in Teixcalaan--she loves the poetry and literature they so highly prize, she's able to navigate Teixcalaanli society and see the double meanings everywhere, and she's excited to try her hand at these things. And yet--if she plays her cards wrong, it will end with her home being gobbled up by Empire, and as Mahit herself says: Nothing touched by Empire remains unchanged.

I really enjoyed her characters too--3-Seagrass stole the show for me--and they all have believably varied and grounded views and opinions, with the sorts of blind spots and biases you would expect from people in their respective positions. There's character growth and change too, which is always fun to see, and I'm excited to see how that progresses in the next book.

If I had a complaint, and it's a minor one, it's that the prose is sometimes overly repetitive and explanatory, as if Martine doesn't quite trust her audience to remember things from earlier in the book, or understand what's being implied, which occasionally has the effect of making Mahit look less intelligent than her role would demand. However, it didn't happen often enough that I was truly annoyed, and I think the book gets better about it as it goes on.

On the whole, a fun, exciting read (although it takes its time to set up--expect a slow start!) that left me actually looking forward to my commute for a chance to listen to more. Already checking to see if my library has the next book available.