Book Review: Frontier

  • Dec. 7th, 2024 at 9:36 AM
Frontier by Grace Curtis is a space western, which takes place far in the future after much of Earth's population has abandoned it due to catastrophic climate change.

Then a ship falls from the sky, bringing the planet's first visitor in three hundred years. This Stranger is a crewmember on the first ship in centuries to attempt a return to Earth and save what's left. But her escape pod crashes hundreds of miles away from the rest of the wreckage.

The Stranger finds herself adrift in a ravaged, unwelcoming landscape, full of people who hate and fear her space-born existence. Scared, alone, and armed, she embarks on a journey across the wasteland to return to her ship, her mission, and the woman she loves.

I really enjoyed the way this novel revealed its story. Rather than simply track the traveler from place to place, the story shows us the traveler's journey through the eyes of the people who encounter her: a small-town librarian at odds with the local mayor, the young son of a preacher with a nasty secret, a shady woman on a quest of her own. Each chapter opens with setting the perspective of this onlooker before the traveler comes into the scene, and I felt like this was a very fun and creative way of telling her story, as well as giving us a lot more information about the world and culture of Earth in this story's universe than we could get from the traveler's perspective alone. 
 
The traveler herself is an excellent blend of competent and human: as an astronaut among a deeply Luddite population which has technologically stagnated for centuries, she has certain advantages, like her advanced weaponry, which can quickly resolve some situations. However, she can be divested of these advantages without enormous effort: if she loses her gun, if she's facing too many enemies, if she succumbs to bodily weakness like exhaustion or injury, she's no better off than any Earthling in her situation would be.
 
She certainly possesses a skillset that helps her through her journey, but she's also a person. She feels fear, anxiety, weariness. She has tells when she lies, she has moments of awkwardness, she makes mistakes. She's not Terminator in a cowboy hat blasting her way to victory while the challenges slide off her without a mark.
 
The romance was fine. Sweet, but unremarkable. I do enjoy more queer fantasy that doesn't center romance though, so that's a win!
 
Some other reviews felt the ending wrapped up too quickly, but personally I was satisfied. I didn't need a confrontation with the main antagonist drawn out any more; he was such a loathsome character that I simply wasn't interested in seeing more of him. I was content with where the book left things.
 
On the whole, I enjoyed this book more than I expected. It was just long enough to tell its story satisfactorily without overstaying its welcome. I enjoyed the detours into side characters that gave us colorful glimpses into what life is like on Earth for the locals rather than relegating us merely to the traveler's outsider perspective. It does leave lots of loose threads behind, but it felt realistic and never, for me, unsatisfying. Life goes on after the traveler has moved onto her next goal.
 
A fun read!


Book Review: In Defense of Witches

  • Oct. 26th, 2024 at 11:37 AM
Book #4 of the "Women in Translation" library rec list has been In Defense of Witches: The Legacy of the Witch Hunts and Why Women are Still on Trial by Mona Chollet, translated from French by Sophie R. Lewis.

Centuries after the infamous witch hunts that swept through Europe and America, witches continue to hold a unique fascination for many: as fairy tale villains, practitioners of pagan religion, as well as feminist icons. Witches are both the ultimate victim and the stubborn, elusive rebel. But who were the women who were accused and often killed for witchcraft? What types of women have centuries of terror censored, eliminated, and repressed?

Celebrated feminist writer Mona Chollet explores three types of women who were accused of witchcraft and persecuted: the independent woman, since widows and celibates were particularly targeted; the childless woman, since the time of the hunts marked the end of tolerance for those who claimed to control their fertility; and the elderly woman, who has always been an object of at best, pity, and at worst, horror. Examining modern society, Chollet concludes that these women continue to be harrassed and oppressed. Rather than being a brief moment in history, the persecution of witches is an example of society’s seemingly eternal misogyny, while women today are direct heirs to those who were hunted down and killed for their thoughts and actions. With fiery prose and arguments that range from the scholarly to the cultural, In Defense of Witches seeks to unite the mythic image of the witch with modern women who seek to live their lives on their own terms.
 
There's no doubt that Chollet has done her research here. I appreciated how often her claims and arguments were supported with quotes, events, other studies, and even the occasional fictional novel giving a display of attitudes of the times (although I do think we could have used fewer fictional examples).
 
However, as other readers have remarked...the book doesn't really have much to do with witches. I was most engaged at the start, when Chollet was digging into the witch trials of 15th and 16th century Europe, giving details on the events and attitudes as well as sharing the stories of some individual women. She validly criticizes how no other mass killings in history so broadly get the "haha well that happened" treatment.
 
She also traces quite effectively how the attitudes developed during the witch hunts persisted long after. The disgust with the female body (witches were often accused of copulating with the devil, and frequently shaved head to toe before their trials to find the "devil's mark"), the policing of women's behavior (being too gregarious could be a sign of being a witch—but so could being too withdrawn and isolated), the mistrust and revulsion around old women (whose accumulated knowledge and low tolerance for mistreatment made them particular targets during the hunts). 
 
But after the first chapter (the book is divided into four chunky chapters), witches mostly fade into the background and the book becomes a generalized critique of misogyny, mainly in French and American society. I would have liked to see her draw more on the legacy of the witch trials to at least parallel with some more modern instances of misogyny, such as the lingering mistrust of career women, especially those without children.
 
The witch, at her core, represents things society still struggles to accept in women: she is usually single (and therefore not affiliated with or under the dominion of a man), often educated (many accused witches were practicing midwives or healers), generally childless (potentially rejecting the "natural calling" of all women to motherhood), frequently post-menopausal (and therefore undesirable--an unforgivable crime in a woman) and in short: independent. The witch is not beholden to anyone—father, husband, church, or child (thus, medieval witch hunters had to place her under the ultimate control of the devil, a male figure)--and acts solely in her own interests and in pursuit of her own pleasure, which made her intolerable, and in many ways, women are still viewed this way.
 
Chollet makes a lot of good points about historical and lingering misogyny, but I do feel she belabors the point in some cases, and by the fourth chapter feels like she's lost the thread entirely on the original thesis, becoming more of a diatribe against the medical field and the "cult of rationalism" than an examination of "women on trial" or the legacy of the witch hunts.
 
However, on the whole, the book was still interesting. It's not a fun read, to be clear: being reminded of the many ways in which women have been hated for merely existing and are still looked down on today is not enjoyable--but it is important to remember these things, not only to see what progress we have made, but to understand what progress is still needed.
A+ Library is my bit where I review books with asexual and aromantic characters. The most recent book I've read was To be Taught, if Fortunate by Becky Chambers. The book description is:

At the turn of the twenty-second century, scientists make a breakthrough in human spaceflight. With the fragility of the body no longer a limiting factor, human beings are at last able to journey to neighboring exoplanets long known to harbor life.

A team of these explorers, Ariadne O'Neill and her three crewmates, are hard at work in a planetary system fifteen light-years from Sol, on a mission to ecologically survey four habitable worlds. But as Ariadne shifts through both form and time, the culture back on Earth has also been transformed. Faced with the possibility of returning to a planet that has forgotten those who have left, Ariadne begins to chronicle the story of the wonders and dangers of her mission, in the hope that someone back home might still be listening.

The character:
Chikondi Daka, asexual
Final verdict: Thumbs up, a new favorite for this exercise

Full review below )
from booklender.com (originally from amazon?)

Charity and Sylvia is the intimate history of two ordinary women who lived in an extraordinary same-sex marriage during the early nineteenth century. Based on diaries, letters, and poetry, among other original documents, the research traces the women's lives in sharp detail. Charity Bryant was born in 1777 to a consumptive mother who died a month later. Raised in Massachusetts, Charity developed into a brilliant and strong-willed woman with a passion for her own sex. After being banished from her family home by her father at age twenty, she traveled throughout Massachusetts, working as a teacher, making intimate female friends, and becoming the subject of gossip wherever she lived. At age twenty-nine, still defiantly single, Charity visited friends in Weybridge, Vermont. There she met Sylvia Drake, a pious and studious young woman whose family had moved to the frontier village after losing their Massachusetts farm during the Revolution. The two soon became so inseparable that Charity decided to rent rooms in Weybridge. Sylvia came to join her on July 3, 1807, commencing a forty-four year union that lasted until Charity's death.

Over the years, the women came to be recognized as a married couple, or something like it. Charity took the role of husband, and Sylvia of wife, within the marriage. Revered by their community, Charity and Sylvia operated a tailor shop employing many local women, served as guiding lights within their church, and participated in raising more than one hundred nieces and nephews. Most extraordinary, all the while the sexual potential of their union remained an open secret, cloaked in silence to preserve their reputations. The story of Charity and Sylvia overturns today's conventional wisdom that same-sex marriage is a modern innovation, and reveals that early America was both more diverse and more accommodating than modern society imagines.


to explain this; "Charity took the role of husband, and Sylvia of wife, within the marriage." charity is listed first in tax records and in the census, which didn't record the names of women and dependents until 1850. she bought sylvia a ring, which she presumably used as a wedding ring (men didn't really wear them until WW2 when the were pushed as a reminder of wives left behind for married me serving). all the domestic chores were handled by sylvia, since charity hated them. both of them sewed & mended clothes to make a living.

it is a very interesting read. chairty was the aunt of poet & long time editor of the new york post william cullen bryant and was a poet herself, as were several members of her family. it also briefly touches on lesbian history in america after the revolution and how the bryant & drake families were influential members of their community. as well how difficult it was for an unmarried woman to be independent during the late 1700s & 1800s.
full title;
Lady Almina and the Real Downton Abbey: The Lost Legacy of Highclere Castle

from amazon;
Drawing on a rich store of materials from the archives of Highclere Castle, including diaries, letters, and photographs, the current Lady Carnarvon has written a transporting story of this fabled home on the brink of war. Much like her Masterpiece Classic counterpart, Lady Cora Crawley, Lady Almina was the daughter of a wealthy industrialist, Alfred de Rothschild, who married his daughter off at a young age, her dowry serving as the crucial link in the effort to preserve the Earl of Carnarvon's ancestral home. Throwing open the doors of Highclere Castle to tend to the wounded of World War I, Lady Almina distinguished herself as a brave and remarkable woman.

This rich tale contrasts the splendor of Edwardian life in a great house against the backdrop of the First World War and offers an inspiring and revealing picture of the woman at the center of the history of Highclere Castle.

really only interesting if you're a fan of downton abbey, or have an interest in english houses of the time period. or even egyptian archeology, king tut's bomb in particular. because almina's husband, the 5th earl of carnarvon, bankrolled the excavation & there are a couple of chapters that deal with that.