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"The Tyrant Baru Cormorant" by Seth Dickinson

Today I finished the latest book in the Baru Cormorant series (fourth book remains to-be-released), The Tyrant Baru Cormorant. Y'all, Baru is so back.

! Spoilers for books 1 & 2 below !

If you've looked at other reviews for the series, you may have seen book 2, The Monster Baru Cormorant, referred to as the series' "sophomore slump." I disagree, but I understand where the feeling comes from. The Monster feels like a prelude, a setting of the board, for The Tyrant. The Monster puts all the pieces in place for the cascade of schemes and plays that come in The Tyrant. They almost feel like one book split into two (which is fair—taken together, they represent about a thousand pages and would make for one mammoth novel).

If you felt like Baru was too passive in The Monster and that there wasn't enough scheming going on, I can happily report those things are wholly rectified in The Tyrant. Having located the infamous and quasi-mythological Cancrioth at the end of The Monster, Baru wastes no time in whipping into full savant plotting mode.

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"The Witness for the Dead" by Katherine Addison

You know that feeling where you're enjoying inhabiting a book so much you don't want to reach the end? This week I finished The Witness for the Dead by Katherine Addison, and that's how I felt.

Witness is a companion novel to Addison's breakout novel, The Goblin Emperor (TGE), which I read for the first time last year and never got around to reviewing. You don't need to have read TGE to enjoy this one at all; Witness focuses on a minor character from TGE and his adventures after the events of that novel. Thara Celehar is a prelate of the god Ulis, and his role in elven society is something like a cross between a priest and a private detective. He has the ability to commune, in a limited fashion, with the dead, and he is employed by the city to provide this service to the people. This may involve reporting a deceased's last thoughts to a mourner, asking a deceased to clarify a point on their will, or seeking answers from a murder victim to bring their killer to justice.

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Babylon White

Babylon White by Kit Sun Cheah

The grand conclusion! Spoilers for earlier books ahead.

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"The Monster Baru Cormorant" by Seth Dickinson

The day after finishing The Traitor Baru Cormorant I had to rush over to the library to pick up book 2, The Monster Baru Cormorant, which I finished earlier today.

Spoilers for The Traitor Baru Cormorant below!

The second book of a fantasy series of any kind often bears a very difficult burden. It is most often the place where the scope of the story grows significantly. A conflict which before was local to the protagonist's home and surrounding area may expand, often to the extent of the known world. New players are often added to the cast, bigger and scarier problems and challenges arise. The protagonist may have gone up in the world, wielding new power and influence, with new responsibilities. As a result, this is where many series lose their footing; a tightly-woven book or season 1 may give way to a muddled, watered down part 2 as the writers struggle to juggle this expanded focus.

The Monster suffers from none of those things. It is the place where Baru's story expands—in The Traitor, her focus was almost entirely on Aurdwynn; it was the full field of play and outside players mattered only as they influenced events on Aurdwynn. In The Monster, Baru has become a true agent of the Imperial Throne of Falcrest, and with these new powers, the entire field of the empire is opened up for her play, and it is fascinating to watch.

In The Traitor, Baru was narrowly focused on managing the situation in Aurdwynn; everything she did was to that end. In The Monster, Baru can do whatever she wants, and we get to see her finally on the open field. Even where she flounders and flails, it's delightful to watch the machinations of her mind constantly at work. Her cleverness rows against her bursts of sentimentality to produce some impressively chaotic effects, but she is as slippery as an eel to pin down, even when her rivals think they've gotten the best of her.

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"Sundial" by Catriona Ward

I don't actually remember where I saw Catriona Ward's Sundial recommended, but it was somewhere and convincing enough to get it on my TBR. I finished the audiobook this week so it's time to reflect.

Sundial is a domestic psychological thriller which focuses on the relationship between the protagonist Rob and her eldest daughter Callie. Or at least, that's what the novel summary posits. A good 50% or more of the book is actually about Rob's youth and her relationship with her childhood family, primarily her twin sister, Jack. I didn't get that at first, which led to me being slightly frustrated by the length of the "flashback" sections until I realized that they were at least half the true focus of the story.

Ward excels in capturing the petty toxicity of a domestic environment gone sour. Especially deftly handled are the ways in which a partner can wound in such seemingly mundane ways. Many of the exchanges between Rob and her husband, Irving, come off as completely innocuous to an outsider, but to the two people in the relationship, who have the context for these seemingly nothing interactions, the full cruelty of them is on display. This adds completely believably to the tension between Rob and Callie, who has long favored her father, and who sees her mother's responses as hysterical overreactions, because she doesn't have the context that Rob does. Ward also very neatly portrays a truly vicious marriage, where both parties have given up pretending they want to be together, at least to each other, and where the entire relationship has become an unending game of oneupsmanship, trying to get one over on your spouse.

Adding to this suffocating atmosphere is Callie, a very strange 12-year-old who is starting to exhibit some very troubling behavior, particularly in her interactions with her 9-year-old sister, Annie. Rob has always struggled to connect with Callie—in contrast with Irving, who happily spoils her to force Rob to be the bad guy enforcing boundaries—but when Callie is thought to have attempted to poison Annie with Irving's diabetes medication, Rob decides it's time she and Callie have a real heart-to-heart.

So she takes Callie on a mother/daughter trip to Rob's childhood home, Sundial, an isolated family property out in the Mojave desert.

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Kill the Villainess, Vol. 2

Kill the Villainess, Vol. 2 by Haegi

The story continues.

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Redwall

Redwall by Brian Jacques

The start of the series.

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"Even though I Knew the End" by C.L. Polk

On Monday's outbound commute I finished the audiobook for Even Though I Knew the End. This is a supernatural/fantasy noir romance and it does pack a lot of all three of those things into its brief 4-hour runtime.

This book relies heavily on stock film noir tropes—the veteran down-and-out private (paranormal) investigator (here a lesbian, Helen, our protagonist) who drinks too much and is haunted by past mistakes, a mysterious and sexy female client with a unique case, and "just one last" job before the PI plans to quit and retire with a beloved romantic partner. I didn't find them overused—and seeing them reworked to queer and female characters was fun—but other readers may find them too worn out even here.

Because the book is so short, it moves along at a very rapid pace. The whole thing takes place over the course of two days—the final two days before Helen's soul debt is called due and she finally has to pay the price of her warlock bargain. In this way, any rush felt appropriate, since it fit both the size of the novel and the context of Helen's urgency to get this last job done before she has to pay up.

The characters weren't super developed, but again—4-hour runtime. They're a little stock character-y, but not total cardboard cut-outs. It was disappointing for me to see Helen make the same mistake at the end of the book that she did prior to the start, as if she hadn't really learned anything, but since the novel ends promptly after that, the story never has to reckon much with it.

I was relieved that Edith, Helen's girlfriend, wasn't just the damsel in distress/goal object for Helen, which I was a bit worried about in the beginning. Edith has secrets and goals of her own.

Overall, the book was fine, and it entertained me well enough for a few days. Nothing extraordinary here, but nothing objectionable either. I will say I think keeping it short worked best for this book—I think drawing it out might have only weakened it. A fun little twist on a typical noir novel.

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"The Traitor Baru Cormorant" by Seth Dickinson

On Saturday afternoon, on the bus ride home, I finished The Traitor Baru Cormorant, because I couldn't wait until I got home to reach the end, despite a long history of reading-induced car sickness. It was totally worth it.

The Traitor Baru Cormorant is all fantasy politics. There's no magic or fairies or prophecies, just Seth Dickinson's invented world and the titanic machinations of Empire. And it is electric. Tentatively, I'd make a comparison to The Goblin Emperor, except that where TGE is about how Maia, completely unprepared for his role, is thrust into a viper's nest of politics, Baru Cormorant is about how Baru has painstakingly taught herself the ways of the empire and enters into the game fully prepared to rewrite the rules to her liking.

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I was hanging on every page by the end, and first thing Sunday morning I was off to the library to pick up the sequel, which I started the same day. I cannot wait to see how Baru's story progresses! Hats off for Baru Cormorant!

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Backyard Foraging

Backyard Foraging: 65 Familiar Plants You Didn't Know You Could Eat by Ellen Zachos

A discussion of wild and garden plants in North America. Roots, flowers, leaves, fruit. . . how to harvest, what to check, what can be done to prepare them.

Valley So Low

Valley So Low: Southern Mountain Stories by Manly Wade Wellman

A collection of uncanny tales. Some are Silver John. Some feature other men who wander about and know some of the matters -- each one with his tales grouped -- and it's clear that it's one continuity, with their loosely knowing each other, with Judge Pursuivant the sage old man of their knowledge. Others are people who get mixed up in such matters and may or may not escape.

One can see how he was listed in the Appendix N as a D&D source.

The Property of Hate Volume 4

The Property of Hate Volume 4 by Sarah Jolley

The continuing adventure.

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The Lost and the Lurking

The Lost and the Lurking by Manly Wade Wellman

A Silver John novel.

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The Hanging Stones

The Hanging Stones by Manly Wade Wellman

A Silver John story, Works as a stand-alone.

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Just Stab Me Now

Just Stab Me Now by Jill Bearup

A comic tale of a writer taking off into fantasy romance for a break. And to escape her frustrating job.

Her notion of a heroine hits the actual heroine, who is middle-aged, a widow, and the mother of two children trying desperately to protect them.

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"Luck in the Shadows" by Lynn Flewelling

I really hate to give up on a book, but sometimes, there are too many other tempting things on the horizon to keep ploughing through an active read in the hopes it gets better. Today I put aside Luck in the Shadows by Lynn Flewelling. While I would have liked to have gone all the way to the end before making a judgement, there just over 9 hours still to go on the audiobook and the book has simply not given me enough to power through that.

At nearly 9 hours in (about halfway) my overall feeling towards this book is indifference. Towards the plot, towards the characters, towards the setting. It's very generic fantasy and just doesn't give much to bite onto outside of that. The first half of the plot has some fun adventure elements, but when the mentor-figure, Seregil, becomes incapacitated partway through, the youthful protagonist Alec is simply not enough to carry the story. The second half of the story is more political intrigue, and I can't help but compare it to The Traitor Baru Cormorant which I'm also currently reading, and that comparison does Luck in the Shadows no favors.

Seregil and Alec's escapades are fun, and it's interesting to see the creative ways they go about their tasks, but for me it's not enough to make up for the lackluster plot and detailed but unremarkable worldbuilding.

There's a disappointing dearth of women in the story, although one of the fantasy kingdoms in which the second half of the story takes place has been ruled by a succession of queens for centuries. There is some casual queerness in the story which I liked, but when I looked for more reviews on this to help me decide if it was worth pressing on, I learned (SPOILER) that Alec and Seregil become a couple later on. Given that Alec is barely sixteen at the start of this book, and Seregil is a middle-aged man, I'm just not here for it.

This is the first book of a series (the Nightrunner series), but my general feeling on series is that it's a cop-out to rely on later books to make up for weaknesses in earlier books. Particularly here, where each book gets longer, the author is asking for me to take a lot on trust that this story will get better with time.

I really wanted to like this book, as I really want to like all fantasy novels, but it's just not worth the amount of time investment needed. Also, in general, not looking for stories about adults falling in love with teenagers. Disappointing, but there are other things to move on to.

Catburglar of the Constellations

Catburglar of the Constellations by John C. Wright

Starquest book 3. Spoilers for the earlier books ahead.

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"The Twilight Zone" by Nona Fernandez

Last night I finished The Twilight Zone by Nona Fernandez, book #9 from the "Women in Translation" rec list. This book was translated from Spanish by Natasha Wimmer.

The Twilight Zone is a nonfiction book, part memoir, part investigative journalism piece by Fernandez, first published in 2016. It concerns Fernandez's study of and memories of growing up under the Pinochet dictatorship in Chile. The author is haunted by the traumas of the regime, both those she experienced firsthand and those she heard about from others, and the book in some ways feels like an exercise in simply trying to reconcile those feelings.

Fernandez's book is of course very specific to the Chilean experience, and yet core parts of her incisive commentary about both the absurdity and the cruelty of autocracies rings true around the world. The exercises the regime goes through in its constant quest for self-preservation are both ridiculous and brutal, feelings Fernandez captures in her title. The surrealist sci-fi hit show of the 70s fits very well as a metaphor for the often-flailing yet eminently dangerous police state.

Fernandez does an excellent job of using her prose to say things not neatly spelled out in words. I was reminded of reading The Things They Carried in high school, and how revelatory it seemed to me at the time how the author could use the style of prose to suggest a character's mental disarrangement without simply saying he was deranged. Fernandez's prose stood out to me in a similar way—how she uses the structure of her words to capture the feelings at play.

Equally compelling is the obviously copious amounts of research Fernandez put into her work. She portrays herself as a woman consumed by a quest to find answers about this regime, and it comes across in her work. Names, dates, places, timelines — Fernandez has clearly put in the leg work to piece together the final days of the highlighted victims of the regime as much as can be done.

However, the book never comes across like a textbook. Fernandez ably weaves her research into a compelling narrative. Neither does she ever seek to blur the line between the facts and her imagination—she keeps a clean line between what she knows and what she wonders, or imagines. Nevertheless, the questions and suppositions that populate Fernandez's mind feel regrettably natural for anyone in the aggravating circumstances of a mendacious autocracy. She does an excellent job of showing how crazy-making it is to live under such a government, where you are constantly being lied to in direct contradiction of visible facts, and yet there seems to be nothing you can do but either accept the truth or taste the knuckles of the regime.

I really enjoyed this read. It breezed by and I can absolutely see what a national treasure Fernandez is as a writer! I would love to see if more of her work has been translated into English; she has a wonderful voice.

A Nervous Splendor

A Nervous Splendor: Vienna 1888/1889 by Frederic Morton

A discussion of Vienna before, around, and after the suicide of Crown Prince Rudolf.

Discusses all sorts of people. Some famous, some to be famous, others never to be more than footnotes. Creates a mood piece, possibly shaded. Discusses politics and arts. How the Hapsburgs set about modernizing Vienna by tearing down its walls, and more.

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"The Dawnhounds" by Sascha Stronach

This week I finished The Dawnhounds, the first book of the The Endsong series by Sascha Stronach.

This book has been compared to Gideon the Ninth, which I think does it a disservice, because while there are enjoyable things about it, if you go into it expecting The Locked Tomb, I think you're going to be disappointed. They are not on the same level.

Protagonist Yat's homeland—the port city of Hainak—is implied to have been colonized and fought a revolution to escape that, but while some of the changes have been welcome—the embrace of "biotech," freedom of determination—her home is in the throes of sliding from one abusive regime to another. They have thrown off the yoke of colonization, but as Yat comes to slowly realize over the course of the novel, what they replaced it with isn't much better.

Yat is in a prime position to realize this. A former street rat turned cop who joined the police in hopes of making a positive change for people like herself, she's been slowly worn down over the years into someone who simply closes her eyes to the worse abuses by the government and partakes herself in the lesser offenses. The kick-off for the story isn't any of that though—it's that Yat is demoted after her coworkers learn she's patronized a queer bar. She's blundering through the fallout of that—continuing to patronize that same bar, and using drugs to cope—when the fantasy plot hits her in the head.

Unfortunately, here is where the novel began to lose me. I think the comparisons with The Locked Tomb arise from the way The Dawnhounds throws the reader into the plot with the promise of revealing more information later. Except that where TLT is a masterclass in subterfuge and gradual reveals that make perfect sense in retrospect, and in some cases reframed entire characters and story arcs, The Dawnhounds just...never really reveals the information.

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